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Quote, “They can’t print what we paint. They print in pixels.” Up There is a gorgeously shot (and told) short documentary on the dying industry of big city, big scale, hand painted “out of home” advertising. I especially love the bits about apprenticeship and the passing on knowledge.

You remember Snake Eyes, right? Mysterious ninja master G.I. Joe operative? All black. Masked. Completely mute. Woah… why does a mute guy have a MOUTH on his uniform?
That’s just plain mean.

Again with the character design changes! Why can’t moviemakers leave well enough alone?
Up top you see a screenshot from the Japanese trailer for G.I. Joe: Rise of Cobra with a glimpse of “Cobra Commander” (I use that term lightly here) having a chat with Destro. Then you see cartoon CC pointing (and likely laughing) because Destro is essentially Dr. Who with a Scottish accent. And cartoon Destro laughing because Joseph Gordon-Levitt Cobra Commander (henceforth referred to as JGLCC) is wearing a hightech SARS mask and a bad suit.
It’s not really the casting I take issue with. (Though Garry Oldman is Cobra commander in my mind.) It’s the incessant need for Hollywood to think they know better, and that they must change things. It’s rarely a good idea.
To say that this take on Sherlock Holmes looks enjoyable is to undersell it.
The new trailer introduces us to “accelerator suits.” Apparently, they exist to accelerate the movie as far away from the source material as possible. Look, Ma! I’m a Transformer!
I so badly want Moon to be amazing.
Everyone’s outfits are black. Joes. Cobra. Heroes. Villains. All black. Kind of hard to tell each other apart in battle when YOU’RE ALL WEARING THE SAME OUTFIT.