Welcome to The Very Daily Weblog of Joshua Blankenship



You know They? Well, They say 60—70% of conversations are non-verbal but I wonder if they need to… A Conversation I Can’t Seem to Wrap My Head Around

Me: "Sun Ra is playing at Nightfall next week. Or at least, Sun Ra's band is... didn't he die?" M.A. Turner: "Didn't he die like... 3000 years ago?" Me: "Well played. Well played."

Relevant Magazine has one of my poems featured right now.

Thu 11.24.05 (2 comments)

One of my poems made its way on stage at North Texas Christian Writers Conference thanks to my friend Chris White.

Mon 09.12.05 (0 comments)

I spent some time last night (this morning/what time is it anyway?) making the poetry page look pretty. I'll be adding more content as I type it up, transcribing from my gritty little notebooks takes some time. Being a page of poems, I tried to minimize the amount of scrolling you'll have to put up with. I didn't check IE PC yet, so if you guys have issues with it working, please let me know. And for future reference, there's a link to the poetry page in the handy sidebar to your right, just in case you don't pay attention to things.

Dear Def Jam Poetry,

Just so there’s no confusion,
i’m not mad.
And i’m not black.
And i’m not a woman.
And I didn’t grow up on the streets.

All that being said,
i’m not even sure if I can actually BE a poet.
All the hip poets these days seem to be mad.
Or black.
Or women.
Or they grew up on the streets.

Or they’re mad, black, women who grew up on the streets
and HOW CAN I COMPETE WITH THAT?

I’m so white i’m transparent
and it’s fairly apparent that
the only streets I live on
have immaculately manicured lawns
and perfectly repetitive mailboxes lined up like pawns
in some sick, suburban chess match
where the King and Queen don’t so much
move around the board
as they simply catch you off guard
knocking on the door with

“Welcome to the neighborhood!”
and
“We baked you cookies!”

(NOT that i’m complaining)

But i’m guessing all the
mad, black, women poets who grew up on the streets
just shake their collective heads at me
because i’m a minivan and a family away from being a
soccer dad
and i’m pretty sure that
no one
with one of those stupid, soccer ball shaped magnets
adorning their main mode of transportation
can actually be a poet.

What I need…
is some drama.
Dramatically unfolding events i’m told
inspire line after line of poetic discourse
forcing fists to raise unconsciously
and strike nerves
and resonate in the hearts of all the
mad, black, women poets who grew up on the streets

not understanding me
not understanding them

because I didn’t grow up on the streets
and i’m not a woman
and i’m not black
and i’m not mad
(just so there’s no confusion)

but I think I am a poet.

Sun 08.21.05 (6 comments)

Tagged: Letter, Poem

Sleep falls sweetly, all summertime content, intent on waking dreams up.

I have really cute feet, but they rarely get me anywhere it seems.

Counting the musicians, there are 26 people at the altar. One catches my eye. And no, it's not the bridesmaid I think is the cutest of the baker's dozen. (Don't judge me. Every guy does this at weddings. We make a sort of mental note of which bridesmaid we might talk to at the reception if given the invitation. We have a back-up maid, too). The only life of this party that I see is the flower girl. Glowing white and innocence, yawning, stretching, arms crossed adorable, comfortable in her skin but not in the dress. Too young to have picked up insecure. The only one in the entire room more bored than me.

1. Words 2. When I Write I Am 3. We Will Watch The Universe Die I'm not sure why all the titles are starting with "W" these days. "W" isn't really a letter that gets much play, so maybe it's my not-so-subtle subconscious attempt at helping it get out there on the scene. Or maybe it's completely coincidental. Or maybe... it isn't.

Can we talk about haiku? And senryu, too? Like brothers, so close. I figure some of you might not be in the know about such things, so I thought i'd explain so you wouldn't zone out everytime I post haiku or, if you are in the know, say "You know, that's really not haiku." Haiku is a traditional Japanese literary form consisting of 17 syllables in three lines of 5, 7, and 5. Haiku also contain a word (called the kigo) which is descriptive of the season in which the poem is set. Typically haiku combine two different images, are written in present tense, have a focused description, and have a pause at the end of either the first or second line. Each of these rules are based in Japanese language and literary tradition and while most Japanese haiku poets don't break these rules, haiku written by non-Japanese poets almost always breaks one (or more) of them. Senryu is similar to haiku in terms of construction, but tend to be about human nature, minor weaknesses, failing of character, etc. They are often cynical or darkly humorous and such can dispense with the nature references. In other words, that sounds right up my alley so to speak. From a traditional Japanese, purely technical standpoint, I write senryu and call it haiku. And by doing that, I join in a long line of english poets who do the same. In fact, most of them don't even adhere to the 17 syllable thing, opting for more of a "Take a deep breath and you should be able to finish this three-line poem" structure. At this point, I still enjoy the syllable structure, as it's a challenge to communicate the singular thought in the best way in such seemingly limited ways. So now that you're in the know as to what they are and where they're coming from, I hope you enjoy these fun little excercises in poetry thrift that I will continue to call haiku simply because I can.

With change comes faith in things unseen, volumes unreamed. Words not yet thought yet.

Nervous thoughts consume scenarios I steal from an unknown future.

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